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Temple Jargon


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17 replies to this topic

#1 cyberhippie

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Posted 19 January 2008 - 08:50 PM

Often when I read about religion/spiritualism and temples there are references to architectural names for buildings and thing contained therein.

We've all heard of lingam, Mandir, Chatri,  etc etc Now I can go online and track down what all these things mean but I thought it would be a subject our Indian members would enjoy explaining to the rest of us.

So what are the various parts of the temple called and how do they relate to the cermonies that take place within. do temples face a particular direction and is there a thread of symbolism that runs through temples from South to North.

May make all the difference that next time we visit a temple!!!

#2 noflylist

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Posted 19 January 2008 - 09:51 PM

...and a ritual term 'Pradakshina'...
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#3 gautam

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Posted 19 January 2008 - 10:04 PM

You have chosen a huge conceptual territory. It would be more useful or rather, more manageable, should you try to engage in any sort of scholarship, even at a cursory level, to break up this subject into smaller chunks. For example,

Shaiva

Shiva temples of Central India, [square into square, turned square]

Of the "Tamil country",

Other South

allegiance to Adi Shankara, Advaitavada

Kashmir Shaiva

Shiva temples of Varanasi & North

Shakta

the 51 Shakti peethas

Durga temples of the South

Mandala temples of Bengal

Gujarat: Ashapurna, Chandramouli Bhairava

Saurya & other

Vaishnava:

Ancient: Gupta

Medieval+Modern:

Krishna temples of the South

temples owing allegiance to Ramanujacharya and the Vishistadvaita tradition and following the Pancharatra canons [three exclusionary principles]

ditto Madhvacharya & Dvaitavada & South

Vraja and (Gaudiya) Rajasthan

Ramanandi & North

Rama temples

Purely Modern

Useful books to read, as a preliminary:


Ramo Vigrahavan Dharmah Rama Embodiment
by Calambur Sivaramamurti

Siva in Thought, Art & Literature [use inter-library loan]
C. Sivaramamurti

Banaras: City of Light
Diana L. Eck

Speaking of Shiva
Stella Kramrisch
especially read her use of astronomical dating, quoting Jacoby, precession of equinoxes,as to memory of events, NOT when texts were formalized or this or that came into present form. This is the crucial thing that is overlooked by both Europen and Indian scholars in their endless wrangling over how old something is. Here is the only sensible author and scholar I have read. The Vedic record holds the memory of very very old astronomical events that upset the hect out of the priestly clans, the precession of equinoxes, not just once but thrice! The unchangeable Nakshatra, the constellation in which the Sun rose on the longest day of the year shifted places with its neighbor, gradually, [Holy S..., it was NOT SUPPOSED TO DO THAT, that's why we named it Nakshatra, by golly, what a .......... betrayal!] And if once was not bad enough it did this again, and is on its way to this a third time. is there NOTHING SACRED on this d...universe? Many Indian pundits to this day close their eyes and stubbornly insist that the equinox takes place 21 days after it does, so we have Makara Samkranti on January 15, NOT Dec 22!!!!!! And that is only 1 precession! 3= September/October, the previous new year!!

Hindu Temple (2 Volumes)
Stella Kramrisch


Exploring India's Sacred Art - Selected Writings of Stella Kramrisch
Stella Kramrisch and Barbara Stoler Miller


The Art of India: Traditions of Indian Sculpture, Painting and Architecture
Stella Kramrisch



All of this may have made you more upset! However, generalizations will only create inaccuracies and mistakes repeated many times by many people begin to be enhallowed with the aura of truth.

So choose, a few temples that most interest you, or a general category of temples, or a region, and then it might be possible to give more careful, accurate answers to your query. The time period, as you can readily agree also has a great influence. The absurd mindlessness of Birla architecture has little relevance to the thoughtful queries you pose, just as the peculiar aesthetics adopted by modern posters, calendars and even the ISKCON temple image building and floral decoration seem to be at a shocking remove from the aesthetic principles espoused in traditional india. I am at a loss to understand the strange roccoco styles [and I mean this in its technical sense] affected by ISKCON, that is in such sharp contrast both to the extremely styliszed yet restrained primitivism of the jagannatha Temple as well as to the restrained movement of Bengali aesthetics c. 1500-1950, the formative period of Prabhupada, their Guru.

#4 Hyderabadi

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Posted 19 January 2008 - 10:56 PM

Aagama Shastra - The science of temple proceedings and architecture. From my limited knowledge.

Keeping the tradition alive .....

Quote

Iragavaram is home to 25 Vedic pundits who are learning and teaching Veda, Shastra, Smarta, Aagama, Jyothisha and Dharma sastras and the village has the history of taking under its wings the students who dedicate themselves to Vedic studies.
.............................

The chant rises from the bowels of the earth, manifests through the pundits, ascends to the temple dome and merges in the infinite space above. Squatting on the floor, with tufts dangling from the back of their shaven and cropped heads, vermilion and sacred ash smeared across their foreheads and arms, white dhotis tied round their waists and white cloth wrapped across their chests, nearly 200-odd Vedic pundits let their vocal chords rip.

The precincts of Uma Paleswara temple, tucked in a lonely corner of the village, become charged. Now smooth-flowing like a river, now lunging forward, the set of ancient mantras from Krishna Yajur Veda, galvanising in its intensity, transport the throng to the sacred confluence of divine propitiation. The persistent world of incantatory vibrations-long after the chanting is done -- draws people from all persuasions of faith and rationality, from humble agricultural labourers and farmers, literates to the unlettered.
MORE: http://www.hindu.com...83151060200.htm
Sekhar

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Fotos on flickr


#5 digital drifter

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Posted 19 January 2008 - 10:57 PM

Pradakshina is the term used to circle the temple in the clockwise direction.  Usually done 3 times.  Around the navagraha (9  stars statues) it is done 9 times.  Since the navagrahas are arranged in a small square, it's a pretty small circuit.

Most temples will have a navagraha to one side of the temple where 9 small statues representing the planets will be present.  Rahu and Saturn are among the most important ones worshipped on Saturdays.

The most thing you'll find is the Yali, a lion faced adornment on the pillars mostly as spandrel? support on the roof the pillar or on the pillar itself.

http://en.wikipedia....indu_Mythology)

#6 Hyderabadi

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Posted 19 January 2008 - 11:06 PM

Talking of Saturn - Shani.... I visited Shani Shinganapur back in 2000, probably one of the only Shani temple in India. And the idol / lingam is outside.

There are no doors or locks or window shutters in Shinganapur, any thief/burglar/murderer/rapist etc., would have to face the wrath of Shanidev on his home turf. ^_^

About 70+ Km from Shirdi in Maharashtra.
http://www.shanishinganapur.com/
Sekhar

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Fotos on flickr


#7 Hyderabadi

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Posted 19 January 2008 - 11:35 PM

A Brahma Temple is another rarity.

I've always wondered why... Brahma being the creator and all.  Should he not be getting more importance?

The Sustainer and The Destroyer get plenty of attention....
Sekhar

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#8 digital drifter

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Posted 20 January 2008 - 10:59 PM

View PostHyderabadi, on Jan 19 2008, 11:35 PM, said:

A Brahma Temple is another rarity.

I've always wondered why... Brahma being the creator and all.  Should he not be getting more importance?

The Sustainer and The Destroyer get plenty of attention....

Power struggle and got outvoted. :-)

#9 noflylist

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Posted 20 January 2008 - 11:05 PM

View PostHyderabadi, on Jan 19 2008, 12:05 PM, said:

A Brahma Temple is another rarity.


May be earlier form of Hinduism did not include deity worship.  

Later Vishnu Avatatras became popular because of popular stories Ramayana and Mahabharata.
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#10 digital drifter

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Posted 20 January 2008 - 11:15 PM

dwajastambam is the flag pole/staff you'd find in most south Indian temples.   It's the metal pillar found near the Nandi.

#11 gautam

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Posted 21 January 2008 - 12:30 AM

DD's posts are a reason why I asked the OP to focus on a particular region or type of temple, since generalizations lead to great error and misunderstanding. And thus, the thread will be cluttered with endless and petty refutations, and confusion that will fail to enlighten the OP.

For example, in Bengal, you will not find any navagrahas, and in the Shakta ritual and images, the circumambulation is anti-clockwise, as also in the Kashmir Shaiva tradition. India is so varied and contrary, whatever is true at one place, the opposite must also be true at another. In the Tamil country, I have heard that some Ayyangars will avert their eyes from a Shakti temple!! Or used to.

In Bengal, all the temples are open to anyone, provided they come to worship.  Even foreigners, so long as they come to worship, in proper form, minus cameras. There is not the slightest issue of caste or gender: one is asked one's name and gotra for puja, a gotra being the theoretical clan, which is a vertical division that includes brahmans, and everyone else in  "cake slices" of various Vedic lineages derived from sages named in the Rksamhita.

In South india, there are Temple cities like Madurai, where the temple itself is a small town with various commercial and religious simultaneously going on. If I understand correctly, in TN and Kerala, a quick visit is integrated into the daily lives of many ffamilies, or used to be one generation ago, than in many other parts of India.

In contrast, the Shakta temples of Bengal have complex roles, not all worth discussing in public. Each of the important ones anchor a major cremation ground. In Bengal, only the holiest individuals are ever buried, unlike the South where burial is a common practice and in the North too, in UP and Bihar, among the so-called Scheduled Castes. So a creamtion ground is a busy center of community activity, one serving a large number of communities or villages, because it is deemed to be particularly holy. So the cremation ground itself is a special field of worship and the temple is its extension. There are many permanent worshippers installed at the cremation grounds. The real worship of the deity begins after the titular public worship has ended for the day. This Shakta worship is the responsibility of the Mahant or spiritual leader of the temple. Unlike any South Indian temple, he, a brahman, has a coterie of equals, all non-brahmans drawn from so-called low castes, who during the day officiate  in certain temple duties or go about their prescribed work.

Chief among these is the person who performs the blood sacrifice, always drawn from the ironsmith caste, always a consecrated Shakta with many consecutive high initiations. He and HIS WIFE are the GURU SIBLINGS of the Mahant and his wife, a vajra relationship more binding than any other in the universe.  They, all four, willingly have accepted consecration with all its rigid vows of purity,  and harsh demands. Similar ties bind the rest of the circle, the ganachakra, all of whom WILL and must come from the lowest: must include barber, dom and chandala, each with their wife. After that quorum is met, others may join, only those consecrated with high initiation. This worship is not a joke and vanishingly few are able to succeed well in this. It is fearsome and dangerous, but this is the real worship of the deity, the real reason for the Shakta diksha that is in addition to the SAvitra diksha.

It is also the reason why there is no aspect of  caste or gender when enters the boundaries of a Shakta temple in Bengal, PROVIDED you come to worship, not fool around. A real Shakta mahant is in a high state of nervous energy. He will often fast for extended periods, without water, usually 36 hours, sometimes 3 days. He or they will sleep very little in their lives, usually sitting up, or reclining slightly. In former timer times, there would be no hesitation in bathing a miscreant and offering his head at the sacrificial post. This reputation kept out troublemakers and pickpockets, until the civil government stepped in, alas!

So you see the real worship of the "awakened" Shakta deity, who generally is awake when others sleep, cannot be satisfactorily completed without the participation of 5 men and 5 women, 4 pair of whom must come from the "lowest" strata, and who are equals of the brahman functionary in the "real" worship. The morning worship for the public where brahmans alone functions is just intercessionary worship, not "real" generation of the deity and all that it implies. We have some folk elsewhere on IT who write about all sorts of things without knowing or understanding anything at all. Sometimes I feel, but  that is impossible, to have them sit on a pancamundi or a navamundi asana for even half an hour at night and then videotape their state. Proof of the pudding.

#12 noflylist

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Posted 21 January 2008 - 12:46 AM

The direction of pradakshina is the reason I asked the question! Should it be clockwise, counterclockwise, or should all the bases be covered in doing one and then the opposite! That ritual part of religion I do not like (though there are sound reasons behind many of the rituals), in ritualism spirituality is lost!
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#13 cyberhippie

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Posted 21 January 2008 - 01:07 AM

Well I guess this trip will be about the Sun Temple at Modhera, temples of Dwarka and the Chitai Temple near Almora/Binsar

#14 gautam

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Posted 21 January 2008 - 04:33 AM

Dear NFL,

As you are a Electronics engineer or computer specialist, you had to study information science or computer science. many of these include obscure logic absurd to an outsider but sparkling and vital to you now that you understand WHY, and now you use it all the time and cannot get along without it, just as a programmer cannot get along withouts strings of "gibberish" and arcane logic systems.

Now you are asking, or making a complaint, that "religion is not compliant to your will or desires." Behind this  complaint, and your statement, "cover all bases" is implicit the idea of wielding "religion" as a tool to "extract" something from somewhere. Otherwise, what bases are there to cover, if not to propitiate some OTHER? So you have conflated ritual with ritualism, and ritual with propitiatory magic. That syllogic chain has been extended to religion that now has been dismissed by you as both inscrutable and morally and spiritually lacking, inferior.

What has been lacking is your own understanding, and the desire to understand, or even the feeling or urgency to understand. I know that in the third category I am doing you a grievous wron. I do it only to provoke you, to arouse you, so that maybe you will search your insides  privately and join your own quest, also privately. No need for anyone to know. Whoever is engaged in this quest is mentored.

Let us be even more explicit.  Consider this schematic. it is only a metaphor. Don't get hung up over its technical minutiae. That's not the point, which is broadly to point the mind in a certain direction.



                                                                Absolute, Undefinable, Without Limits or Boundaries,beyond words and this present "mind"  [ 12 ]


self: i, me, myself, mine  [9]                                                     other: you, the world, the consensual reality observed by all of us [3]





guru [6]


guide, mentor, one who makes (someone) substantial, gravid




Let us label these clockwise, from 12 o' clock onwards as A, B, C, D.

So, answer me, what is the nature of the relationship between each in all their permutations and combinations?

Why does that matter?

What is the nature of each?

How would we know that?

How would we know what we know? What would be proof, since we have said that one element is already inaccessible to "mind" ? Paradox or nonsense?

Why is each human so strongly driven to make life meaningful? Is this not behind this strking of petty bargains? because people want success, potentiated by a little deus ex machina?

Why si that urge for meaningful life so strong? Is it because we are, directly or indirectly, very consciously of our mortality, and want to make some sort of mark befor we are overcome by death.

Most of the religions I know make some sort of claim to overcome death, to extend your identity beyond death, to guarntee permanence. That is their draw, besised some earthly ghoos-ghaas. True.

I can only comment thoroughly on the Sanatana Dharma in almost all its aspects, including the Buddha-sasana, as explained to me by my holy teachers , as taught in valid scriptures and as validated in other ways. These are the triple validation.

Let me assure you about one thing. There is no ghoos-ghaas. What you understand about God and so forth can only become real and useful when you have put considerable effort into understanding the schematic outlined above.

Then, one stops skittering around on the surface of the water like a water-skeeter and is able to break through the surface tension. Painful, requires effort and sacrifice. Just like computer science. But rewarding.

Having done that, one realizes that it is the mere beginning, the ocean is many thousands of feet deep, and conditions change dramatically as one descends. What is true at X feet become nullified at Y feet. Again we are using similes. Don't get caught up with the technicalities of the idiom. Focus on the general sense.

In that time, you will have found several teachers, internal and external, each at the appropriate time, each to explain and discipline the unruly elephant of our mind. If one cannot entertain that disciplining, no progress.

Our consciousness can investigate itself, it is reflexive. This is extensively explored in Indian thought, the quality of VIMARSA. In the Siva Sutras there is an aphorism: GURUPAYAH

THE GURU [is] THE METHOD : THE METHOD [is] THE GUIDE

Each of the Siva Sutras is an example of the quality of Vimarsa. Even meditating on one is sufficient for one lifetime. SriRamakrishna used to say, to kill others, one needs swords and armour, for oneself a sharp "needle" is enough; meaning, either to teach others, or to demonstrate cleverness, one needs to show great scholarship. To grow oneself spiritually, a simple apth is enough.

When one enters a valid path, the nature of a few, selected rituals appropriate for oneself and determined by the teacher is effective. A valid teacher is someone who is like an excellent athletic coach: immediately able to diagnose your particular needs and caoch you one-on-one on those isues. There are also some other aspects.

I pray, that with the grace of the Guru-Deity, having read through this, it makes some sense to you and that you may have come to a slightly less jaundiced opinion of Indian religion. Subhamastu.

Edited by gautam, 21 January 2008 - 04:37 AM.


#15 iwanttogoback

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Posted 21 January 2008 - 05:18 AM

Quote

Well I guess this trip will be about the Sun Temple at Modhera, temples of Dwarka and the Chitai Temple near Almora/Binsar

cy, there's a fantastic jain temple (huseething) in ahmedabad well worth a visit for the exquisite carvings. i was lucky enough to visit with a jain friend who explained how jains move around their temples.

i don't have any photos unfortunately.

and there's also the tiny mosque of siddi sayed in the old city which has some amazing jalis. i think that both malkers and i have uploaded photos of it here.
just is.

#16 noflylist

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Posted 21 January 2008 - 06:21 AM

CH, do not miss the visit in the evening to famous Law garden (Locals call it Love garden) in Ahmedabad in the evening, you will also see tibetan vendors outside!
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#17 noflylist

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Posted 21 January 2008 - 09:14 AM

GautamDada, thanks for your educating reply (and it will take some time to digest), but all my Bengali communist friends have always tried to beat religion out of me just before they go to help with arranging DurgaPuja festivities! Ke Korbo?
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#18 gautam

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Posted 21 January 2008 - 09:57 AM

CH,

One important feature is a temple that is functioning as a place of worship in contrast to those that are empty shells, mere archaeological sites. These may include various lingams that are no longer receiving regular service, are "dead". Images can be dead as well.

The only thematic feature that all temples, north, south, east, west, dead or alive will possess is a garbha or garbhagrha: womb or sanctum sanctorum. This is usually, but not always, where the arcaka murti, the worshipped embodiment/emblem resides. Sometimes, as in Arunachala, it will be in a structure under the ground, below the emblematic representation. This area is restricted to even the serving priests, ususally only one or two of any lineage are entrusted to enter, perhaps only the lineage holder or the mahant of the sanctuary.

An Arcaka Murti [worshipped embodiment] may be an image but many of the most hallowed temples contain objects that are merely emblematic: ammonite fossils known as Shalgram shilas, special forms of which are given various names, some are said to be self-manifested, a term applied to certain lingams. Some very important shrines with self-manifested Damodara shila-images in Vrindavan  have simply a golden plate as the symbol for SriRadhika, the consort of the SriKrishna in that manifestation. Other places you have visited like Jwalamukhi and more than one Jyotirlingan may be a combination of flames and emblems. Shakta temples have emblems like a silver mask concealing theyantra at Tarapitha in Bengal , images and hidden womb sanctuaries. The supremely holy and important Kamakshya Pitha in Assam has as its core emblem or most hallowed focus nothing but a hole in the ground, and the sacred offering is menstrual blood, something taboo in all the male-oriented temples of Southern India.

This sanctum sanctorum and inner sanctum together comprise the necessary and sufficient part of the temple, the Bhupura mandala within which sits the yantra upon which the murti or garbha is situated. That's the whole. Around that, a subsidiary mandala may be constructed, of whatever elaboration desired. Themes, symbols and so forth can be brought into play, as may artistry. Note that none of this is either present or permitted in the garbha, or in the inner sanctum, where it is strictly business.

P.S. Upthread I made a slip of the tongue as it were, hurriedly translating 'rajakini' in my head: in place of barber read washerwoman

The history of stand-alone Sun temples is an interesting chapter in Indian religious history. In the Vedic, there is a three-fold division of "deities": prithivi-sthana devata-s [earth level], dyau-sthana [middle heavens]. antariksa sthana [uppermost level].

[I would strongly suggest disregarding the interpretations of  super-clever people like Wendy Doniger and the interpretive traditions emerging from European scholarship. Absorb the philology and translation, fine, just don't get pulled into stuff whose depths have not been explored: they write to gain reknown, not for any real purpose. And I know many of these people for the last 40 years.]

There are sequentially deeper and more esoteric levels to the Rksamhita symbolology. Just like the Saundaryalahari, at one level it can be used as compulsive magic, and then it interacts with that part of the self that is generated as the lower two levels of "deities." In the very same manner, the Kalachakra Tantra can be manipulated at a very gross level or a sublime one. Kalachakra in one sense can mean the Wheel of Destiny or Time. This will give you an inkling of the purpose of creating the cult of the Sun and stand-alone Sun temples, as also the branch of worship called the Saura Tantras.

In the Vedic stream, though, the integrative vision assigns a very deep and grave symbolism to the  Mitra-Varuna dyad, that prevents it being employed in any of the two lower planes, no viniyoga there at all!! Can't be misused or demeaned through being harnessed in one's rubbish schemes! So what to do now? Let's turn to the great lauds in their manifestation as Surya: vibhrAt vrhat vAjasAtamam/dharmandi bodhArune satyam arpitam: "dedicated to the Truth" grand, fierce, magnificent poetry, unsparing sentiments. No nonsense here either.

What to do? Create your own loopholes. Find ways of propitiatory magic not canonical, but satisfying to rulers who are supposed to be descended from the Sun or some such. So, see paragraph before last. Temples such as these are public drama. The sculptors occasionally injected their own small, hidden sarcasms and malice at their employers. In one of the Pandyan beach temples, there is a little carved kitty standing on one leg, mockingly imitating a yogi who was praying to have the River Ganga released to the Earth.